For brands

Your creator content shouldn't stop where your paid media starts

Most brands run creator content and paid media as two separate machines. Creator posts on the creator's channel. Then the "real" campaign starts, brand front and centre, creator forgotten. Charlie Oscar's 2026 report makes a simple case: that handover is exactly where you leak the value.

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Poppi Social
For brands
27 July 2026 5 min read

Think about what happens at that moment. The whole reason the creator content worked was the trusted human at the front of it. You then take that human out, swap in your logo, and buy reach behind a message that no longer carries the thing that made it credible. You’ve paid twice and kept the weaker half.

Keep the source, buy the reach

The alternative has a few names depending on the platform. Whitelisting. Partnership Ads on Meta, Spark Ads on TikTok, Creator Partnerships on YouTube. The mechanic is the same: you run paid media through the creator’s own account, so the trusted source stays visible while your budget buys the scale.

The report calls this redistribution: extending a creator’s content beyond organic, across channels and formats, without letting it change hands. The signal that started with the creator keeps travelling instead of resetting to zero the moment media spend begins.

+30–40%creator-led assets outperform brand-built on Meta and TikTok
66%of the audience reached was net-new
−19%CPA when creator assets run alongside BAU media

Those figures come from the report and its Meta whitepaper, so treat them as the vendor’s own. In full: creator paid-partnership assets outperformed brand-built assets by 30% on Meta, 40% on TikTok, and 25% on YouTube; 66% of the audience reached was net-new; and running creator assets alongside business-as-usual media lifted video play rates 21% and cut CPA 19%. Even discounted for source, the direction is hard to argue with.

Creators don't just bring engaging content, they introduce new audience signals that help algorithms expand reach, improve incrementality, and drive impact beyond the platform itself.
Peter Buckley, Connection Planning Director at Meta, quoted in the report

Why it works

Credibility doesn’t transfer to a brand logo. It’s attached to the person. Keep the creator as the visible source and you keep the reason it worked in the first place. Take them out and you’ve simply bought a normal ad, which you could have made without them. The whitelisting approach is really just refusing to throw away the expensive part.

How to apply it without souring the relationship

Get usage and whitelisting rights in the contract up front. Creators increasingly expect this, and it changes the fee, fairly. Springing it on them after the fact is how you lose good partners.

Test honestly, don’t just boost the top performer. Run creator assets against your BAU creative as a real comparison, so you know what’s actually carrying the result.

Keep the creator involved past the single post. The report’s bigger idea is that signals should travel further than the feed, all the way from URL to IRL. It points to creator work extending into TV and out-of-home, where the same idea builds across placements instead of being rebuilt for each one.

And measure it as media, not as a favour you’re doing the influencer team. This ties directly to the measurement problem: if you’re still grading on last click, whitelisting will look like a cost rather than the multiplier it usually is.

Once the signal moves, it can go almost anywhere

Whitelisting is the easiest place to start, but the report’s real point is bigger: once a creator’s signal can travel through paid, it doesn’t have to stop at the feed at all. Audiences move freely from URL to IRL, so the content can too.

The examples are worth borrowing. For the launch of Pro Lash with creator Serena Neel, the billboard itself became the creative: she “vandalised” it with spray paint, and every stage got documented, from the construction crew to the reveal. Each placement built on the last instead of being a separate asset. The report also points to creator work carried into TV (KFC with Frank Watkinson) and out-of-home (Aligne with Sheerluxe). Same idea, evolving as it moves between spaces, always keeping the creator’s fingerprints on it.

The consideration numbers back the logic up too: the report claims Partnership Ads deliver 125% stronger search synergy than business-as-usual advertising, by carrying creator influence into moments of active intent. Whichever channel the signal lands in, keeping the source intact is what makes it worth more than a standard ad.

Two caveats worth holding

These numbers are self-reported by parties who sell the format, so run your own holdout before you shift budget. And whitelisting only works on a foundation of trust and clear terms. Handled badly, it reads as a brand quietly taking over a creator's account, and that damage outlasts any campaign.

Whitelisting lives or dies on clean paperwork. Usage rights, deliverables, approvals, and payment terms all need to be pinned down and easy to find. The creators you work with can manage that side in Poppi Social, which means fewer chased emails and clearer terms for everyone.

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